Welcome back, my friends… To the show that never ends. Except it does end – It ends when the film ends, which is generally at around 10pm, but we can’t really get

The Clash shed a lot fans when they released ‘This Is Radio Clash’ in 1981. Released on a 12” between the ‘Sandinista’ and ‘Combat Rock’ albums, it was a massive

As you may have noticed, there has been a lack of Monday Morricone Madness for some time now (sorry about that), but never fear, because in two weeks time we

Things bloody well go boom in the night with this 1981 post-punk ditty from the moody Bush Tetras.

The first record to feature electronic phasing effects, Toni Fisher’s eerie and extraordinary song, The Big Hurt, entered the US Billboard Chart at number three in 1959. The record-buying public

The one slice of wax that hasn’t left my turntable this week is the stupendous Emperor Machine’ remix of “Little Boots” – a track off the latest and much acclaimed

Taken from her fourth album Asha L’Indiana, today’s Single of the Day is a sublime and down-tempo disco groover from renowned Indian singer and performer Asha Puthli. Having worked with

“In the year 2525, would man still be alive?” That was the question pondered by 60’s duo Zager and Evans but then again I think they posed that particular conundrum

A side-project of Peter Bonne (A Split Second, Autumn, Twilight Ritual) between 1982-1984, Belgian band Linear Movement were one of the more melodic groups of the ‘cold wave/minimal wave’ movement.

Kid Creole and his wonderful Coconuts played an exclusive gig at London’s Barbican Centre last night, so in honour of that stupendous occasion aaand the glorious sunshine, here’s a cheeky

It’s impossible not to mention Bob Blank when one discusses the music of New York during the seventies and eighties. A true maverick producer, Blank was the man who harnessed

Arthur Russell re-works are ten a penny these days, but you can always rely on those quality purveyors of underground house, E.A.R, to provide an early Easter treat with an

Why, what do we have here; a horror anthology film directed by three of the most famous continental film directors of the 50s and 60s? Well, yes… And as you might

Here at Days Are Numbers we are huge fans of irrepressible super-producer and Hollywood kingmaker Roger Corman, so much so in fact that it’s a wonder we haven’t shown any