The first record to feature electronic phasing effects, Toni Fisher’s eerie and extraordinary song, The Big Hurt, entered the US Billboard Chart at number three in 1959. The record-buying public presumably beguiled by the enigmatic Fisher’s vocal delivery and the mind-bending phasing provided by her producers Stan Ross and Dave Gold, propelled the young singer [...]
Single of the Day – Cortex – Sans Toi
by aneet on 02. Jun, 2010 in muzak
Released in 1978 on the Crypto label, this funky little jazz number comes from the cult French jazz duo Cortex. Taken from Alain Mion and Alain Gandolf’s third album Pourquoi, Sans Toi is a quirky mix of electronic sounds and groovy Gallic pop. Apparently written for Mion’s wife, this is more than loving tribute to [...]
Single of the Day – Telex – Euro-Vision
by admin on 28. May, 2010 in muzak
As it’s Eurovision tomorrow, I thought I would post one of my favourite Eurovision moments ever! Trust me, it’s amazing! Seminal Belgian electronic band Telex were asked by their manager to represent Belgium in the 1980 competition, the bemused band agreed although they didn’t take it entirely seriously… As group member Marc Moulin would later [...]
Single of the Day – Frankie Goes To Hollywood – Two Tribes (Annihilation Mix)
by aneet on 18. Jun, 2009 in muzak
Finding infamy with their controversial debut single ‘Relax’ in 1983, cheeky Scousers Frankie Goes To Hollywood’s follow up single was the astonishing ‘Two Tribes’. An awesome production built round a throbbing, infectiously original riff, it showed off Holly Johnson’s distinctive vocal style to striking effect. The power of the single lay not merely in its [...]
Single of the Day – Carly Simon – Why
by aneet on 04. Jun, 2009 in muzak
Ahhh, the summer. There’s nothing like the summer with a bit of Carly Simon. What’s Carly Simon got to do with the summer? I hear you ask. Well, my friends this timeless ‘Balearic’ classic will tell you ‘why’ (arf!). Produced by the mighty Chic in 1982 for the flop movie ‘Soup For One’ (the soundtrack has [...]

